Nicky Andrag

Natural Rhythms: Creative Maker, Nicky Andrag

Floral designer, creative maker and conservationist Nicky Andrag transforms a variety of plants into unique botanical artworks for her nature-focused brand, Velt.

“I had to learn to trust my gut about what is beautiful,” says plant-lover and committed conservationist Nicky Andrag. She’s relating the story of how she came to start her botanical art studio, Velt, in 2017. It’s a tale that takes off from the point at which, exhausted by the relentless demands of a high-pressure corporate job, Nicky decided to leave the world of IT behind her – and ends with a childhood passion for pressed flowers transformed into a thriving small creative business.

Nicky Andrag
Nicky harvests indigenous Agathosma ciliaris stems for pressing. Her works include pressed exotic blooms – such as orchids and bougainvillaea – as well as endemic plants such as these buchu stems, plus local grass species and various types of seaweeds.

Nicky’s story will sound familiar to many. A creative person at heart, she graduated from South Africa’s Vega School – which focuses on training in design and brand communication – in the late 2000s but ended up working as a project manager in software development. Some eight years later, she was almost completely burnt out, and in those pre-pandemic times, working from home or requesting more flexible working hours was out of the question.

Nicky Andrag
Nicky at work in her simply decorated, low-fi studio, which is adjacent to her home. Her working days don’t follow a set routine: while she says of her previous job as an IT project manager that she has “had to teach myself to stop project managing” and learn different daily rhythms to suit her new occupation, she still works in an organised and disciplined way. So, some days are all about collecting plant specimens, while others are dedicated to methodically fitting those new finds into her handmade presses – which are also available to buy from Velt (velt.co.za) – and checking on the progress of flora that is already in the presses. Still, other days are dedicated to framing, while the administrative tasks that are an inevitable part of running one’s own small business are fitted in as they need to take place.

Bravely, Nicky resigned, initially intending to take some much-needed time out. The instant transition to having what she describes as “too much time” in a day was a shock, so she expended some of it on long daily walks with her beloved dog, Luna, in the forests and mountainside sanctuaries that many Capetonians are fortunate enough to be able to access. “I had to learn to let go,” Nicky says, “and make peace with stripping back” in the face of what she acknowledges were feelings of “guilt about doing nothing”.

Nicky Andrag
To preserve floral specimens and prepare them for framing, Nicky carefully places them in the presses she designed (these can also be purchased from Velt, velt.co.za) between sheets of absorbent, undyed butchers’ paper. When necessary, she uses tweezers to meticulously position them just the right way, then screws down the top of the press. She’ll regularly check on the specimens over the time period it takes to flatten and dry them, which varies according to the type of plant being pressed, using fresh sheets of paper and screwing down the press more firmly if necessary.

Those long, grounding walks in nature also became a time to ponder a new direction, however, one of the questions Nicky began asking herself was, “What did I most enjoy doing during my childhood?” The answer: flower pressing. Knowing she had loved the entire process of pressing various types of flora to preserve them as a child and inspired by her increasing connection with the natural world around her; by her mother (a dedicated, lifelong gardener); and by her bent for wildlife conservation, Nicky began a process of research and development that led to the emergence of Velt.

Nicky Andrag
Nicky solders the edges of her frames herself, having learnt to do so by training with a local metalworker.

She has a clear focus on making every aspect of Velt meticulously respectful of nature and with an eye on the ongoing task of preservation and environmental awareness too.

“Velt is all about the preservation of nature,” she says, remarking that the notion of stopping to smell the flowers might be a cliché but that it’s true: most people genuinely don’t pay much attention to the amazing complexity of the natural world around them. And having spent the past few years carefully harvesting plants – she only sources her specimens from farms and gardens – and working to understand their unique forms as she meticulously processes and presses them, Nicky’s respect for the natural world has considerably increased due to her working experience, she says.

Nicky Andrag
A mini chest of drawers holds a variety of specimens that have already been pressed and prepared for framing.

Nicky regularly works on special commissions. She has collaborated with interior designers on bespoke projects, including a complex two-metre piece created with Andrea Kleinloog of Johannesburg’s Anatomy Design, which now has pride of place in the lounge area of the luxurious Kruger Shalati lodge. For the spa at the new Singita Kwitonda lodge in Rwanda, Nicky produced 12 large works, and she’s also recently used foliage foraged on-site by the designers of a lodge in Botswana to create unique pieces that feature the endemic plant species of the area around it. Private commissions include regular requests to press and preserve wedding bouquets and pressed floral funeral tributes to keep as memorial mementoes on occasion.

Nicky Andrag
Frame shapes are chosen to enhance the forms of the pressed flora: here, the drama of a bold Barberton daisy (Gerbera jamesonii) is beautifully expressed in a circular frame.
Nicky Andrag
Leaves can become ethereal – indeed, almost ghostlike – in Nicky’s delicate work.

Nicky Andrag

Nicky Andrag
The delicate details of a fern are exquisitely showcased by Nicky’s expert pressing and framing skills.
Nicky Andrag
While Nicky notes that orchids require extra care and attention to press because of their high moisture content, it’s easy to see why pieces from the Orchid Blooms range are among Velt’s most popular items.

Future plans for Velt include a new type of product that is still at the concept and prototyping stage and includes stained glass elements. “It’s quite bright and Art Deco, in a way,” Nicky says. She’s also involved in the development of a conservation project in Kafue National Park, Zambia, together with her husband. It’s an understatement to say that this all seems a rather long way from software development: for Nicky, what began as a way to explore and celebrate a connection with plants is now leading her towards long-term ways to support the worldwide push to conserve and respect the natural world.

www.velt.co.za